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Her “artificial assistant” is what Claudia Larcher calls the AI that digitally analysed her analogue “Baumeister” series of collages and generated this film from them. Creator or servant spirit, the machine makes architectural sketches waft biomorphically and enlivens (i.e. animates) rigid shapes. The Japanese Metabolists who called for the fluid renewal of their buildings, the organic growth, deformation and decay of architecture, would have liked “The Artist in the Machine”.