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Originally debuted in 1977, where it took the form of a dual slide projection with live piano accompaniment by the artist. In the 2012 installation version at the Buffalo AKG, the slides were transferred to digital projection and Conrad’s live accompaniment was replaced by a contemporaneous recording of him playing piano. The piano accompaniment belongs to a larger durational performance project that Conrad called Music and the Mind of the World. Between 1976 and 1982, the artist—who was known as a violinist and had no formal piano training—recorded himself experimenting at length on the piano. The photographs that make up Tiding over till Tomorrow were taken by Conrad and are joined by a number of enigmatic texts slides by the artist Anne Turyn.