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This double bill from I Teatri Reggio Emila sets theatrical farce in private spaces. Alfred, Alfred, comes from the experience in hospital of its composer, Franco Donatoni, in 1992: a journey suspended between the surreal intimate visions of a patient and the reality of hospital life. Written three centuries earlier, Pergolesi’s La serva padrona offers a picture of domestic antics, where a shrewd maid outwits her grumpy master into marrying her.