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"I wanted to take a slow, searching look at a couple in trouble – it's not punched up melodrama, just the awkward way two people try and fail to negotiate the realisation that it isn’t really working out. At the time we were working within an explicitly realist mode, somewhere between John Cassavetes and Maurice Pialat, exploring the way that improvisation generates an emotional complexity within the characters while helping to maintain an interestingly curved narrative." (Campbell Walker)