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"In PUBLIC DOMAIN...(Frampton) recapitulates cinema's infancy in a series of direct quotes from such notable primitive works as RECORD OF A SNEEZE (FRED OTT'S SNEEZE) and SANDOW FLEXING HIS MUSCLES, two 1894 Edison kinetoscopic shorts, as well as literal pieces of cinematic juvenilia (child wading at the beach, another throwing a tantrum at home, three women merrily blowing bubble pipes, and the finale, a melodramatic weighing of a newborn attended by an anxious father, doctor, and nurse)–all readily retrievable/quotable fragments from our finite federal version of the 'infinite film,' the paper print collection at the Library of Congress."–Bruce Jenkins