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Wormwood’s Dog and Monkey Show was obviously compiled from a lot more material, which I found over at least a year and a half of hunting about. I spend a good deal of my free time hunting out films. It’s not just any sort of material. I wanted to find films that weren’t totally naïve. None of this stuff is home movies, though some of it almost is. And it’s not professional either. Nor is it newsreel quality. It’s a sort of studied, non-professional filmmaking. It’s by different people, obviously, but they all have a similar position in relation to the camera. To me there’s a sort of beautiful openness to that kind of filmmaking.