Stan VanDerBeek

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American experimental filmmaker Stan Vanderbeek began his career in the 1950’s after having studied art and architecture in New York and North Carolina. His earliest period (1955-1965) is marked by his animated painting and collage films which the artist and critic Daryl Chin regarded as having an “enormous vitality, bounding inventiveness and incendiary wit which was shared by such other collagists as Robert Breer, Bruce Conner, Dick Preston.” Films such as Science Friction (1959, 10’), Breathdeath (1963, 15’), A la Mode (1959, 7’) and Achoo Mr. Kerrooschev (1960, 2’) are from this period. In the 1960’s, in the context of his expanded cinema research, Vanderbeek started his audacious project of the “Movie Drome” theater, a space that allowed him to create an appropriate environment for his synesthetic works, which included film, performance and dance among other disciplines. The filmmaker spent about 10 years developing this project, which consisted of a huge dome that surrounded the audience and engulfed them in the images projected all around them. From the mid-1960’s, Vanderbeek ‘s appetite for exploring new technologies increased and tools such as video played a major part in the filmmaker’s work. This can be seen in his computer-animated films from this period such as Symmetricks (1972, 6’) and the Poemfield series of 8 computer generated animations (1966-1971). His work with computers and experiments with holograms reflected his desire to use the most complex technology to get as close as possible to the functioning of the human nervous system. In addition to his creative work in the fields of film and video art, Vanderbeek was a faculty member and artist-in-residence at a number of major universities. He died in 1984.

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  • wc Gender: Male
  • calendar_month Birth Date: 1927-01-06
  • event Death Date 1984-09-19
  • school Known for: Directing
  • star Popularity: 0.8
  • info Birth Place New York, New York
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image Images

smart_display Movies and TV shows by Stan VanDerBeek

movie_edit Directing

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Image After Image

1967-04-14

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A La Mode

1959-01-01

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Science Friction

1959-12-31

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Skullduggery

1962-12-31

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A La Mode

1959-01-01

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Symmetricks

1972-12-31

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Movie-Movies

1965-01-01

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Collide: Oscope

1966-02-09

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Achooo Mr. Kerrooschev

1960-09-18

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See Saw Seams

1965-08-06

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Poem Field No. 2

1966-01-01

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Vision III

1966-01-01

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Man and His World

1967-01-01

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Superimposition

1968-01-01

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Expo Faces

1967-01-01

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Poem Field No. 4

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Poem Field No. 6

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Poem Field No. 8

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Breathdeath

1963-12-28

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Breathdeath

1963-12-28

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Black and White, Day and Night

1960-06-14

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Fuses

1967-12-31

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What, Who, How

1957-12-31

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The Human Face Is a Monument

1965-08-06

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Wheeeels No. 1

1958-01-01

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Poem Field Series

1967-06-10

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Poemfield No. 1 (Blue Version)

1967-12-31

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Ad Infinitum

1968-06-01

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Film Form No. 1

1968-01-01

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Panels for the Walls of the World

1967-06-15

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Mankinda

1957-06-15

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Oh

1968-06-15

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Movie-Drome

1966-01-01

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Pastorale

1965-08-06

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Poem Field No. 3

1967-01-01

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For Life, Against the War

1967-01-30

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Wheeeeels No. 2

1958-01-01

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The Smiling Workman

1960-01-01

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Street Meat

1959-01-01

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Astral Man

1959-01-01

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Dance of the Looney Spoons

1959-01-01

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Fluids

1964-01-01

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Phenomenon No. 1

1964-01-01

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Site

1964-01-01

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Newsreel of Dreams 1 & 2

1964-01-01

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A Dam Rib Bed

1965-01-01

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The Birth of the American Flag

1965-01-01

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Facescapes

1965-01-01

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Spherical Space No. 1

1967-01-01

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The Computer Generation

1972-03-19

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Poem Field No. 1

1967-06-30

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Euclidean Illusions

1980-01-01

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Mirrored Reason

1980-01-01

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After Laughter

1981-01-01

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Summit

1963-12-27

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Snapshots of the City

1961-01-01

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Moirage

1970-01-01

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Videospace

1970-07-07

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Strobe Ode

1977-01-01

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Vanishing Point Left

1977-05-12

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Face Concert

1981-06-02

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Color Fields Left

1977-09-19

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Sonia and Stan Paint a Portrait of Ronnie

1983-06-20

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Reeling in TV Time

1983-07-07

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Micro Cosmos 1-4

1983-07-06

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Self-Poured Traits

1983-06-14

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Who Ho Rays No. 1

1972-03-31

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Poem Field No. 7

1967-06-06

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Poem Field No. 5: Free Fall

1968-05-29