Marylène Negro

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Marylène Negro’s works often bring about a face to face, either two solitudes or two creatures so totally different that nothing but their physical position can point to a relation between them. More often, what one sees is a sound or visual representation that the film contemplates, not to understand it but to represent it from its limitlessness, until it provokes a sweet vertigo. For Marylène Negro, the image represents an area of intercession that defuses the potential violence of a meeting, keeping only the qualities of attention, vigor and benevolence, prerequisites to a possible exchange. The image enables apprehension without prehension. (Nicole Brenez)

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  • wc Gender: Not set / not specified
  • calendar_month Birth Date: Unknown
  • event Death Date Unknown
  • school Known for: Directing
  • star Popularity: 0.1
  • info Birth Place Unknown
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