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Laure learns that the scars are implants and that the first scientist to have identified them seems to have been his mother's physician, Professor Roger. At Roger's home, Laure only finds an abandoned house, once the scene of a terrible tragedy: when Dr. Roger apparently murdered his own family and fled. Laure breaks in to find canvases similar to the paintings of artist Gaston Denis, which hung in her family's chateau. The painter and Dr. Roger would seem to be one and the same person. Trailing the gallery owner exhibiting Denis's work, Laure comes to a remote farmhouse where she finds the black car with smoked windows. Suddenly, a man with white hair, Dr. Roger, the man behind the vanishings, looms up behind her...