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In the fifth episode, composer Howard Goodall looks at the period when modernism in music arrived, and when the birth of recorded sound changed the way music was heard, played, and sold, forever. The death of Richard Wagner in 1883 led, not to a series of pseudo-Wagners, but to a series of developments that in many ways were in opposition to his monumental ambitions. In France the uncluttered and 'chillaxed' music of Gabriel Faure, Erik Satie and others was like a long hot lazy afternoon. The symphonies of Gustav Mahler invited all forms of music, including Jewish folk music into their generous embrace. Elsewhere folk music was beginning to make an impact on musical form and texture. The self-taught Mussorgsky actually sounded Russian - unlike Tchaikovsky, the most famous Russian composer of the day! When Mussorgsky's music came to the Paris World Fair in 1889 it astonished non-Russian composers, especially Claude Debussy.